20:30, Sun 10th June 2018 at Chichester Festival Theatre
21:00, Wed 13th June 2018 at Royal Exchange, Manchester
21:00, Sat 16th June 2018 at Royal Court Theatre
20:15, Tue 19th June 2018 at Royal Opera House, London
21:00, Thu 21st June 2018 at Royal Opera House, London
20:30, Sat 23rd June 2018 at Noël Coward Theatre
20:30, Sun 24th June 2018 at Random Venue 29
21:00, Mon 25th June 2018 at Gielgud Theatre
20:15, Thu 28th June 2018 at Royal Opera House, London
21:00, Sat 30th June 2018 at Liverpool Empire Theatre
Easter Week 7 to Summer Vacation
Peer Gynt is a five-act play in verse by the Norwegian dramatist Henrik Ibsen, loosely based on the fairy tale Per Gynt. Written in the Dano-Norwegian language, it is the most widely performed Norwegian play. According to Klaus Van Den Berg, the "cinematic script blends poetry with social satire and realistic scenes with surreal ones". Peer Gynt has also been described as the story of a life based on procrastination and avoidance. A first edition of 1,250 copies was published on 14 November 1867 in Copenhagen. Although the first edition swiftly sold out, a re-print of 2,000 copies, which followed after only 14 days, didn't sell out until seven years later.
While Bjørnstjerne Bjørnson admired the play's "satire in Norwegian egotism, narrowness, and self-sufficiency" and described it as "magnificent", Hans Christian Andersen, Georg Brandes and Clemens Petersen all joined a widespread hostility. Enraged by Petersen's criticisms in particular, Ibsen defended his work by arguing that it "is poetry; and if it isn't, it will become such. The conception of poetry in our country, in Norway, shall shape itself according to this book." Despite this defense of his poetic achievement in Peer Gynt, the play was his last to employ verse; from The League of Youth onwards, Ibsen was to write drama only in prose.